#no words just 👀

[radaverse]

what the samurai doin 😭💀

(wip lol)

[sofiaruelle]

Just wanted to draw something cozy

[starry-bi-sky]

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well: 

He’s adopted.

He can’t remember anything else before that.  

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 

It is a fast dream. 

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods. 

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 

—---  

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom. 

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

[lukolabrainrot]

Communicating Through Photos 😍😍

These two just shine/glow together... I can't quite explain it 😭❤️️😭❤️️

[brainrotcharacters]

"found your new anchor being"

"and we're doing just fine, you piece of shit"

[thisshitisridiculous]

things i desperately want from buck's single era

1. hen and buck queer talk scene, they could go out together or just be talking at the station whatever because while the talk with josh was great and all hen and buck are our two queer main characters and they haven't talked about it at all yet

2. buck to say he's bisexual

[wisteriagoesvroom]

a couple of people have asked for a carlos POV of in theory and actually. thinking about it. it's pretty funny. imagine being carlos, carlos who gets everything in his life he's ever wanted carlos, carlos who feels he has nothing further to prove to anyone carlos (this is a lie btw), carlos who gets saddled with OSCAR, who barely tolerates him, as an executive assistant.

oscar who shows few emotions. doesn't give a f about seniority. thinks carlos is incredibly arrogant (he's not wrong here but, like recognises like.) oscar who knows carlos can't even do his own expenses without having an emotional support espresso or spending half an hour whining to oscar even though he did it himself years before oscar even joined, etc etc.

and carlos has to. endure it. while oscar blatantly ignores his charm offensive and his attempts at being jovial and his bad bilingual puns and carlos, because everyone usually loves carlos, and he-- he just. he cannot for the life of him figure out why he's also so compelled by this australian dude. doesn't know what to do with himself. just keeps interactions to a transactional minimum and puts up a front like he is soooo curt and uncaring about everything but. the warmth seeps through anyway, a vine that's destined to grow despite his attempts not to let it.

so what, if carlos lies awake in bed with racing thoughts too late at night thinking of revenues and EBITDA and platinum tiers and air miles. so what, if this sometimes bleeds into thoughts regarding his work-life balance or lack thereof, and therefore, oscar's stupid little hair swoop, his frown. his insane excel sheet formulas that even carlos, MBA graduate, takes a second to understand. oscar and his indifference and his scary efficiency and the way he talks a bit too fast when he's tipsy and his ice cold hands.

(at the christmas party with yuki. carlos pretends not to listen but hears every word. why would oscar tell yuki all that, and not him, when he’s tried to ask about oscar's interests before? anyway.)

and then. the christmas gifts happen and carlos thinks he's crossed a line. was the terrarium too far, he wonders. normally people love it when carlos is thoughtful like that. his exes even said so. but no! oscar takes the terrarium, the one carlos made a specific detour for on an airline that he couldn't even get miles on!

and oscar just. stares, and stares at the terrarium. then he gives carlos this...look. and it gets embarrassingly intimate and carlos "really does have to go take his call" even though the client did say it is fine to switch to email because, christmas. yeah. and then he's thinking about it the whole way back to madrid too.

then oscar QUITS on CHRISTMAS DAY (rude) for no explainable reason and carlos is like oh my god is it really ME. how can anybody not like ME ? reddit, AITA???

so carlos mulls on it. carlos wants to atone. just maybe. set things straight. let oscar know that. actually. all feelings aside, he was really an excellent EA and carlos wishes him the best with everything. he maybe sends a text to thank him with those very words. but christmas eve comes and goes, and so does christmas day, and there's no reply at all from oscar. what the hell, carlos thinks. no i can't have him leave and there's so much in my email that i – i didn't even say. he just. needs to let oscar know that he appreciated it.

(he doesn't know what "it" is per se. just that. he feels strongly. so he needs to do something about that.)

soooooo then carlos, who values for family more than anything in the world, spends christmas day just only half paying attention to things going on and thinking jesus, what did i do. and his sisters are like, hermano, please just. get it together and sort this out if you care so much. we'll be fine with mamá and papá and piñón okay there's roast ham for days. and his ma is like: "if you are visiting someone at least pack some dessert. where are your manners". and carlos is like "what". and his mum is like: "did i not teach you anything at all. are you or are you not a sainz". so carlos just takes his tiramisu and his sister's teasing and. he goes. might even try to pull a favour from a client to use a private jet and get there in time.

he flies back to the city in a fit of possible stupidity to try and clarify... his feelings for oscar his professional record and integrity.

and then. oscar is. actually HAPPY he is there.

(carlos knows he's happy, not because oscar's face changes. but because oscar puts his actual plant shears down in order to talk to him. which in oscar-world is a very big deal really. before, oscar always used to look like he wanted to stab carlos with a pen when carlos spoke to him. and if carlos were truly honest with himself, and hindsight being 50/50, well– he'd say that actually, the times oscar looked like he wanted to stab him were actually some of the moments he felt most alive.)

and the rest is... well.

you know how it ends.

[woobiedoovo]

Stan was in love once, forty or so odd years ago, when he was just a boy who didn’t even know what love was.

At that age, love was the person who made you smile. Love was the person who you’d wake up to every morning. Love was the boy whose glasses always slid down his nose because they were one size too big. Love would hold Stan’s hand in his as they dreamed about sailing around the world.

Love, as he got older, got more complicated. Love became something he’d toss and turn to at night, afraid that when he closed his eyes he would see the boy who still meant the word love. Love, as he got older, seemed to slip between his fingers. The harder he held on, the more it seemed to fade.

Love, it seemed, didn’t love Stan the way he loved it.

Love was harsh and cruel, yet he still loved it. To others, love was something soft and warm. But to Stan, Love was something he couldn’t imagine, not anymore. Love was far away, on a long abandoned swing set, telling stories about pirates, treasure, and adventure. Love was something between two boys whose dreams were just that, dreams.

Stan was in love once.

[p0rk-guts]

Ah yes I love finding frankie

[the-lonelybarricade]

WIP Monday because I need positive reinforcement to limp myself across this finish line

-

You are… Feyre trailed off, failing to find a word that articulated what she saw, what she felt.

Perfect.

That snapped Feyre out of her awe. She blinked, refocusing on her physical body, where he was shaking as he held himself still, letting her adjust and…

And just staring at her. His lips parted open, mouthing a word she couldn't make out as his wild eyes darted over her, studying every detail.

Adequate, Feyre said, narrowing her eyes. I was going to go with 'adequate'.

[marclef]

WAIT WHAT FAKEY THINK ABOUT CAT MINT?!

ALSO HAPPY 800 FOLLOWERS BUD!!!!!!! :D

hello sorry i'm late!! had to deal with an October's worth of drawing... but, now that that's over, i can finally get back to asks!

(and also thank you very much!! it means a lot knowing how much people enjoy my art 😊✨)

gifting the Frog some forbidden substances here though are we? true, it might only really affect cats... but, Fakey's a weird goop homunculus creature, he works quite differently than normal. did you know that, because of how easily his goopy body absorbs stuff, anything he eats or drinks will basically affect him instantly? and very strongly too, since his whole body takes it in, from smell to taste to substance. certain things like alcohol or cannabis can be quite risky to give.... you never know how he's going to act with that much stuff in his system.

but here is a special offering for the good boy!! a nice, very normal plant, maybe it'll be a good pizza topping! go on and take a sniff!! 😊

oh dearie.

[tojiscrack]

to my all little liars!! (edit: wtf happened to my english? 😭)

we’re at 24.6k words rn 😟 if you plan on reading it next week, i recommend you read it on the weekends when there’s no school or work for you waiting in the morning 😀

calling in the troops rn ‘cause there’s still one final scene i have to write and it’s gonna be LONG (this isn’t including the bonus scene btw) but it’s extremely important for the story to continue, and without it, the rest of the story literally cannot go on 😭

we’re locking in guys. it’s 100% gonna border 30k words for sureee. sm has happened in that ONE chapter and i literally cannot wait to release it for all of you, you have no ideaaa

gonna go to bed and then wake up, study, break, write for the fic, repeat. had to randomly drop an update here cuz i’ve been edging you guys for so long i’m sorryyy, but it really is nearly here <333

edit: fck it guys i’m writing it rn (the immediate comments got me motivated)

[estrellami-1]

Steddie Microfic

December prompt: pine

Word count: 508

No warnings apply

Rated T

@steddiemicrofic

Steve has a problem.

It’s not a major problem, not really. It’s not Vecna again. Not even close.

It’s Eddie.

After the gates closed for the final time, Steve and Eddie had gotten along in a way that had far surpassed Dustin’s expectations, and then some.

For the past five months, Steve has been overjoyed to call Eddie his boyfriend.

A boyfriend who hasn’t stepped foot in Steve’s house since November changed into December and he broke the Christmas decorations out.

Steve had been over to Eddie’s multiple times, which isn’t a problem, per se, but, well…

Steve and Eddie are both healthy young men with certain needs that arise occasionally. And they can’t do anything half the time because Wayne’s home, and none of them want that.

And of course, Steve could always go home and do it himself, but it’s not the same. He’s not touched his boyfriend below the belt in over ten days and he thinks he’s going through withdrawal.

“You’re not going through withdrawal, you’re horny and pining,” Robin says flatly. Steve squawks at her.

He keeps trying to figure it out, is the thing. He wonders if Eddie is secretly a grinch, but no, his boyfriend loves Christmas more than he does.

Maybe it’s the rich-person decorations, but that’s never stopped Eddie from coming over before. And besides, Steve had explained that none of the decorations were his, but his parents’, and just what he had, and Eddie had seemed to understand. He’d come over no problem… before Steve put up the decorations.

It has to be something, he knows, so he goes home and looks around. Wreath on the front door, Christmas tree in the living room, garland on the stairs, lights in the kitchen… it’s nothing that Eddie doesn’t have too—besides the garland on the stairs—but he can’t see Eddie getting upset about that. Certainly not enough to where he’d refuse to come over.

Steve finally, reluctantly realizes Robin’s right. He needs to talk to Eddie, so he drives over before he has the chance to lose his nerve. “Eddie?”

“Stevie!” Eddie brightens almost comically and pulls him inside before kissing him. “Hey, baby.” He pulls back and must see something on Steve’s face because suddenly he looks worried. “What’s wrong?”

Steve worries his lip and blurts out, “Did I do something?”

Eddie’s face drops. “Sweetheart, no, what- what’s happening? What’re you thinking?” He leads Steve over to the couch and sits with him.

Steve shrugs miserably. “I’m being stupid,” he mutters.

“Honey,” Eddie says seriously, “you’re not stupid. Can you tell me what’s wrong?”

“You won’t come over.” Steve looks down at their intertwined hands. “Ever since I put up Christmas decorations. You came over once, cut it short, and haven’t come over again. So I must’ve done something.”

“Oh, babylove,” Eddie sighs. “No, you didn’t do anything. I’m so sorry, I should’ve told you. I don’t know why I haven’t yet.” He looks down, then back up. “I’m allergic to pine, baby. And you have a real tree.”

[whereismyhat5678]

Gustavo and Pizzahead in the same room, what would happen?

…

He will soon cease to exist

[anhonestdaysworkcomic]

I’m updating my art fight profile rn and I’ll realizing how little I’ve drawn the farm family

[moocfitab]

Cadere means "To fall" in Latin.

Vast means "Large" or "great"

Vast Cadere: The Great Fall of the Avicane

If Vasts (however many) great grandfather was the original leader and the one who made the Avicane, then it would only make sense if someone from the same bloodline was the one who ended the Avicane, or at least killed what the Avicane is, and turns it into something greater, a new Avicane, one that doesn't kill or steal magic.

It would also make sense that sense Vast (who's amab) is learning magic, she'll put an end to the "Boys must fight and Girls must learn magic" thing.

Once again, "Killing/putting a great fall" to the system of the Avicane.

Now here's the question-

How does she do that without fucking dying???

Can you tell that I'm having fun funky thoughts before Lore today??